Bringing opportunity to the northern design territory


Back

Consumerism, Clothing and Corporations: Patrick Grant on building a regenerative business

How can we change the critical relationship between business agendas and consumer attitudes?
Icons

Using design to inspire the UK Food and Drink industry

How BAGGI designed the Mmmake your Mark campaign
Innovation

Design Council Digest: Designing for Planet-Positive Business

An international perspective on the strategic importance of design
Opinions

Diversity in Design: 3% just isn't enough

Diversity in our sector is in a dire state, so what can you do?
Studio Spotlight

The Splash

Click to see our favourite creative projects this month...
The Splash

Design Council Digest: New government, new missions. Real change?

Can designers transform the public sector form the inside out?
Opinions

Olga Treivas - Redefining Crystal Glass Design

Driving the modern age of glass design.
Icons

SODA Spaces: the best interior design projects of the month

Expect a pub, a hosting kitchen and a vinyl cafe in this months column.
Innovation

Circularity and functionality: the principles behind Aesop’s retail design

Read more on how the skincare brand's new location takes sensory retail experiences to the next level.
Studio Spotlight

Design in the Olympic and Paralympic Games: where would we be without it?

Learn more about the history of the Olympic and Paralympic Games through the lens of design, with analysis of posters, pictograms, torches and more.
Innovation

SODA Spaces: our favourite interior design projects this month

SODA's favourite interior projects in the realm of hospitality, retail and culture.
Innovation

Designing out e-waste one kettle at a time

New Designers winner Gabriel Kay explains his graduate project Osiris and gives his view on modularity and repair
Innovation

Meet the Grad: Glasgow School of Art's Elle Crawley

Can AI ever truly be human? Check out this graduates project to find out...
Innovation

Bringing opportunity to the northern design territory

The Northern Design Festival is a new event set to return in 2025 after a successful first year.
Icons

The SPLASH

A creative round up of our favourite recent projects and initiatives.
The Splash

LGBTQ+ history is not finished yet

To mark the end of LGBTQ+ History Month, the SODA team looks forward to three historical moments that still need to happen in queer equality
Opinions

This is our Virtual Reality

How is VR changing our reality as we know it...?
Innovation

The Value of Public Art

SODA highlights some of London’s best examples of public art for good.
Innovation

To Build a Place

What makes a place a place
Innovation

The SPLASH

The week in creativity explored...
The Splash

Plastic Free July

Plastic Free July round up
Innovation / Opinions

Movement in Colour

An exploration of how colour is used to define different movements
Innovation / Opinions

Jesper Eriksson - Transformative Materials

We sat down with the London based artist to discuss coal, fossil fuels and the nature of materials.
Icons

Loading...

Words by Abbey Bamford

Bringing opportunity to the northern design territory

A group of Lancaster University students have set up The Northern Design Festival in a bid to prove that London isn’t the only place where designers can thrive.

London is revered around the world for its rich culture and history and it won’t come as a surprise that it is home to a third of the UK’s design businesses as well as the world’s top two art and design universities. Not only that, the capital city generates 29.5% of all design economy GVA, (£27.2 billion in 2019) according to the Design Council’s most recent Design Economy report.

There is no doubt that London’s high concentration of designers - more than any other regional economy in the UK - is a huge factor in its success, but is this to the detriment of the rest of the design community?

Photo credit: Callum Lea

Despite the magnetism of the capital and all it has to offer, Londoners Niamh Cartwright and Antonia Arbova - now Master’s and third-year design students respectively - opted to move up north to study design in 2021/22. Lancaster University, based in the northwest of England, was ranked third for design at the time and Cartwright was impressed by the research-led nature of the degree.

“You don’t look at a focussed discipline, you look at design as a whole and how it can tap into societal problems,” she says.

“The north has community but not opportunity”

Both Cartwright and Arbova immediately noticed how there were “no longer opportunities at [their] doorstep” and many people naturally assumed that they would move back to London when it came to finding a job. Notably, there was no bridging of the gap between education and industry and the pair carried out a survey which revealed that many people were feeling this.

In Cartwright’s opinion, “the North has community but not opportunity”, while the South has plenty of opportunity but no real close-knit community or camaraderie.

Originally, the plan was to run one panel talk about women in design but after an influx of interest and enthusiasm, but Arbova had the idea to form something bigger.

A panel talk from Northern Design Festival 2024. Credit: Callum Lea

“Demystifying the value of design”

Planning for The Northern Design Festival began in October 2023 with the creation of Northern Designers CIC, a common interest company spearheaded by executive director Arbova and design director Cartwright. The rest of the team is made up of 25 Lancaster students from a variety of subjects, including zoology, creative writing, politics, and architecture.

To build up traction, Northern Designers CIC held a meet and greet event with agencies and students followed by a panel on International Women’s Day.

The inaugural festival happened earlier this year in May, with 27 speakers, 3 workshops, an exhibition, and over 250 tickets sold. Ultimately, the festival is trying to “build a community of designers and students while demystifying the value of design”, according to Cartwright.

Some topics addressed at this year’s festival were design in the post-pandemic era, sustainable design, future trends, equality, diversity, and inclusion. Workshops were run by the likes of Hull-based manufacturer GF Smith and independent Manchester-based brand design studio Conscious Made.

The Northern Design Festival has already garnered an impressive list of eight sponsors and over 25 partners, including Lancaster-based strategic creative agency Hotfoot Design - which developed the website for the festival - global food conglomerate Kellanova, and co-working space Fraser House, which provided one of the venues for the event.

“We’re really surprised at how much passion we’ve had from local agencies for this festival,” says Cartwright, adding that they were set on making the festival free to attend, which wouldn’t have been possible without their sponsors. She feels that there should be no financial barrier to attending events like this to foster equal opportunities for all.

Design LSC creative director Luigi Carnovale says he was proud to have been invited to partner with Northern Design Festival 2024 and be able to watch the team grow “in confidence and capability”.

“The festival was enjoyed by all who visited. The speakers were insightful and inspiring, and the exhibited works were exceptional,” says Carnovale. “It was clear that the team put their hearts into every aspect of the event, ensuring a memorable experience for everyone.”

“We just want to get bigger and better”

Cartwright describes Lancaster as “the perfect place to do this festival and set up a creative community”. Its links to big cities like Liverpool and Manchester are just as important as its proximity to places like Cumbria and Preston, where Cartwright and Arbova found some amazing creative agencies that got involved in the festival.

When speaking with Cartwright about the north-south divide, Preston-based Wash Studio founder and creative director Andy Walmsley observed that there is a north-north divide when it comes to the creative industries. He believes that many people struggle to see beyond Manchester to places like Lancaster, Preston, and Scotland, despite the latter’s design economy growing more than any other region in the UK between 2017 and 2019.

Walmsley says: “This was a fantastic initiative by these young folk and just the right sort of energy we need up here in the North. As a Preston-based creative studio we often travel to Manchester and London for larger events, so having another creative pull to add to our pot here in Lancashire is surely a good thing.”

Credit: Callum Lea

He explains how there is a definite lack of opportunity for young creatives in the North, “at least above Manchester and the Northern corridor”, suggesting that festivals like this can help to build the region’s credibility and ultimately attract more business and talent.

“It’s a bigger narrative I appreciate, but we have to keep raising our game across all of the creative sectors to enrich our cultural offering and keep people here,” Walmsley adds.

Now the festival is over, Northern Design CIC will look to set up a mentorship scheme to give students outside of London access to the same opportunities and knowledge.

“To us, the festival is always going to be about the impact we want to make”, says Aborva. “Ever since the pandemic our creative communities have gone quiet, we want to change that and make sure that people know there is a community and network they can rely on.”

Cartwright confirms that “the Northern Design Festival is here to stay”, adding “We just want to get bigger and better, get more partners involved, and see the community grow”.

soda-s
  • Photography by Callum Lea
fullscreen
close

Subscribe To Our Newsletter

Catch up on all the latest news from State Of Design Affairs right in your inbox.

Remind me later
Please dont ask me again

Thank you for signing up, don't forget to check your inbox to confirm your email.